There are basically two easy ways to light me up with a short story: A) make it about something that fascinates you, like egyptology or how microwaves work or competitive baton-twirling, and then B) escalate the hell out of it.
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Barrelhousing with Assistant Poetry Editor Nathan Erwin
I also appreciate the “simple” poem. I meander in my work, so when I discover a poem that resonates in brief lines or with a controlled motif, I dig it!
Read MoreBarrelhousing with Assistant Poetry Editor Lauren Holguin
I’m looking for words to make me want to get up from my computer and walk around awkwardly or give me that feeling of discovering a special sidewalk treasure. I want to smile, think, cry, or feel a tiny bit different than who I was when I started reading the piece. If all of the above happen, I know I just came across a poem I should spend some more time with.
Read MoreBarrelhousing with Assistant Fiction Editor Sian Griffiths
The stories that stand out have a little singing part of them--a voice that feels like only the author could have made it, efficiency in the language, surprises that feel earned, a heart and a soul. I love to read work that is exciting and unexpected.
Read MoreBarrelhousing with Assistant Poetry Editor Lane Berger
Dynamism is important too. For me, the brevity of the medium means a poem must be functioning on multiple levels. As I read, I’m chewing each word for color, tone, texture… Good poems are tidal, with every line pulling away from or crashing toward the poem’s reason for being.
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